I will try to make this review as least gushy as possible, but it will be quite difficult seeing as the material on this album has stunned me from the first listening session.Upon entering the playground, you will immediately be greeted with a more muddled production. But finally the wait has ended and now we are inclined to enter the Savage Playground. Since then, it has been four long years without new material from one of the most promising bands ‘this side of Hudson Bay’.
Something amazing has happened ladies and gentlemen - we may have just gotten the album of the year and it’s only the end of January! Yes, you heard me correctly - album of the fricken year! I have been a Crashdiet fan since 2009 and the release of Generation Wild when that furiously devilish album grabbed me by the throat and ripped me a new one. In 2004 they got signed to Universal Records after people in the staff saw the band drinking outside a liquor store and was impressed by their Rock n' Roll image In 2003 Crashdiet released their first self-titled EP, though only 500 copies were pressed. Taking influence from Kiss, Mötley Crüe, Skid Row, Guns N' Roses, and Hanoi Rocks, Crashdïet built up a cult following with the release of their first demos, several of which were released on their official website via download.In 2002, the band split up, and vocalist Dave Lepard reformed the band with members from the current lineup,while the old members went to play in Repugnant and SubVision. They have released four albums: 2005's Rest in Sleaze, 2007's The Unattractive Revolution, 2010s Generation Wild and 2013's The Savage Playground.The band was originally formed in 2000. Crashdiet - The Savage Playground (Japan Edition) (2013)Ĭrashdïet (often stylized as CRASHDÏET) are a Swedish glam metal band from Stockholm.
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